![]() More simple setups will work best with consideration to CPU. I tried running a rig strictly with controller keyboard and iPad but had crashing and noise issues. I have imidipatchbay but I am not currently using it. I use a lot of what was mentioned above: Korg module with the Triton IAP is my main app, I use this with the setlist feature to quickly switch sounds, iSymphonic, Magellan, Noisepad for beats/samples, Beathawk, and a few others for fun. My setup still consists mainly of hardware devices but my iPad is hooked up to my main keyboard via midi which allows additional sounds and easy layering options. I play in a wedding band (so strictly covers). In this guide we're going to explain how to connect your digital piano or keyboard to an external device (PC, Mac, iPad, etc.) and use it as a MIDI-controller. Next, plug the keyboard’s MIDI out to the MIDI in on the interface using either a standard MIDI cable or a cable that comes with the unit, depending on the interface you have. To connect a controller keyboard with an iOS interface, first connect the interface to your iOS device’s dock port. In this tutorial I've shown you how to connect and use a MIDI controller to iPad, as well as demonstrated various ways you can assign MIDI CCs in different apps. Using a MIDI controller with iPad opens a world of flexibility and usefulness, whether for mobile production or practice. MPE assigns each note to its own MIDI channel so that information about pitch, timbre and expression controls are applied to notes individually. You can use GarageBand with controllers that support MIDI Polyphonic Expression (MPE). Use MPE controllers with GarageBand for iPad. How to play garageband with a Midi Keyboard on Ipad YouTube. But even just having cleaner code alone means it’s probably a smart candidate for swapping into the Android tool (cough, cough).I plugged a midi keyboard with the Ipad USB item to read pictures. It also runs as an LV2 plug-in, which is far more convenient on Linux. It features improved detection, MIDI input (for greater control of pitch correction), MIDI output (so you can use this as a pitch-to-MIDI plug), and generally cleaned-up code. Updated: Via comments, Paul Davis points us to a more up-to-date “fork” of AutoTalent, Talented Hack. I’m excited to mess with these plug-ins, though, because to me the generic pop music effects you hear all the time are just the tip of the iceberg. Tom describes Autotalent “as the result of a week of recreational signal processing.” And yes, if you’re a PhD candidate at MIT’s DSP group, “recreational” and “signal processing” can actually go together. Check out both from GitHub, and if you’ve got an Android, you can give MicDroid a try whether you’re a developer or not:ĪutoTalent free plug-in downloads for LADSPA, Mac AU and VST, and Windows VST – stability may vary That gives you the ability to create all sorts of creative voice input applications on various platforms. ![]() The underlying library on MicDroid is called AutoTalent by Tom Baran, and if you’re not terribly (or exclusively) interested in Android, that library is available under GPL2 on any platform. You can also grab MicDroid from the Android Market, with features like a shiny UI, sharing, recording to SMS, and encoding – and it’s still only in “alpha” state. The code is mostly available under an MIT license. ![]() Aside from enabling I Am T-Pain-style effects without iOS, pitch matching could lead to lots of other creative applications – pitch to MIDI, vocally-controlled synths, and more. MicDroid by Ethan Chen is a pitch-correction app for Android. Photo ( CC-BY) Julián Rodriguez Orihuela. The appeal of touch input and the form factor is clear. My guess is – irrespective of iOS, Android, or whatever OS – these devices will really excel once they’re able to provide the same sorts of workflows that the laptop do. iVoxel uses the same, superb sound engine – an impressive feat. That laptop rig is the same one Kraftwerk used, in conjunction with Cubase 4 and a Sony laptop. So, how does this compare to your laptop? You can get VirSyn’s full-blown MATRIX 2 vocoder for EUR119 on sale now, run it on a computer, and get all the advantages of hosting in your existing production software along with more advanced features (which you have to give up on the iPad). IVoxel isn’t available yet, but it is coming. And they’re clearly hinting at more work to come. On the handhelds, it looks like something you could easily hold up to your mouth and rest atop a synth on iPad, you get a nicely-sized touchable keyboard for control. VirSyn have announced one of the nicest effects I’ve seen yet on a mobile platform in the form of iVoxel, a vocoder for iPhone/iPod touch and iPad.
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